- Halting State (by Charles Stross)
- I enjoyed the setup, and the original premise (something like a
robbery of the World of Warcraft auction house!). I love the phrase
"tunnelling TCP/IP over AD&D." I don't quite believe in a near-future
in which you can wander a character from MMORPG to MMORPG; I think
game designers are too invested in having people play from the beginning
to
let them "start" with a high-level character that they
imported/converted. But it did make me think about it for a while,
which was interesting in its own right. The book is written in the second person, which I
usually find off-putting, but in this case it felt more like
the way a story is told in a computer game - you do this, you do
that. The plot gets a little muddly for me - more spy than detective -
but it stayed reasonably enjoyable all the way through. Three stars.
- The Geographer's Library (by Jon Fasman)
-
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tallou described this as "an alchemy mystery of
middling quality" that I might like. That's pretty much accurate. :)
The supporting characters are more interesting and colorful than the
main characters, and the litany of objects is entrancing. I always
loved reading the descriptions of the artifacts in the Dungeon
Master's Guide. Two and a half stars, but with nice artifacts.
- Unshapely Things (by Mark Del Franco)
- Kind of a Shadowrun novel, actually. Elves and fairies and
flits live in the world after the Convergence; a Boston ex-druid cop
tries to track down a serial killer doing a ritual. It's interesting, but not
compelling; I get the feeling that things like the elf/fairy war
backstory, and How Magic Works, are a little bit clearer in the
author's head than they are
in mine, and there are a few odd turns of phrase like "It felt like
being hit in the chest by ten fists." Two and a half stars.
- Red Seas Under Red Skies (by Scott Lynch)
- This is the sequel to The Lies of Locke Lamora, and it is
a worthy one. More pirates, less con men. I really liked the first
book, and I really like this one. He has a really nice knack for what
to do (or not do) with the guns he has hung on the wall (I seem to
have noted the same thing in nearly exactly the same words in talking
about the first book, so I think I can count it a particular hallmark
of Lynch's craft): the book opens with a
Dramatic Scene of Treachery, and then goes back to the beginning to
explain how it gets there. The story starts with things that make the
treachery seem plausible, and then it drifts away from that, but then
it drifts back in a different direction, so you never really know.
There's a burning ship foreshadowed, and then there's a sort of lame
burning ship, but then there's an epic burning ship later. On the
other hand, the pirate queen has two kids, and they are never
clichedly taken hostage with knives to their throats, which I also
thought was the right choice. My only small complaint is with the
pacing; it takes quite a while to move from cons to pirates, then
there's slow going and character development among the pirates, and then
the hanging plots at the end wrap up rather quickly, so it's a little
uneven, while Locke Lamora was more of an exercise in
ever-increasing tension. He has a knack for quotability, too, and I
have saved a line for use someday in Comet. Four and three quarters
stars.
(Note - at this point I'm reading books I have rather than books in
the MITSFS, so feel free to ask to read them. If it got under four
stars, you can have it outright; four stars and above you can
borrow. :) Low scoring books will otherwise usually get posted to
paperbackswap.)
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no subject
Date: 2008-11-24 04:33 am (UTC)no subject
Date: 2008-11-24 04:59 am (UTC)no subject
Date: 2008-11-24 03:10 pm (UTC)Also there are people who think that the only thing Tolkein needs to be perfect is furry cybermercenaries.
Both of these sets of people should not be allowed to write games.
no subject
Date: 2008-11-24 04:39 pm (UTC)no subject
Date: 2008-11-24 05:18 pm (UTC)no subject
Date: 2008-11-26 06:50 pm (UTC)